The Circus Is Eternal: Fashion Liturgy

Kate Setzer Kamphausen’s  fashion Show “The Circus is Eternal” Friday night (March 2) at Nocturna was a great time.  Kate’s garments looked amazing on each of the models (who weren’t professional models, but various people for the goth scene).   The preparation was a little halting as neither Kate nor I had produced a fashion show before.  Things though all went relatively smoothly.

In the midst of the show as I was running the projections and directing the models out on stage (so that they came out with the appropriate projected title), the thought came to me that Kate had created a liturgy of the Circus.  The combined elements of the show – the garments were  inspired by the Circus, and our instructions to the models that they should be aware of themselves and their bodies in their garments, which were not circus costumes, were evocative of the circus.  The models were performing and making present the Circus without re-enacting a particular circus(real or imaginary).

Kate designed each garment for particular people she knew of differing body types and designing each “type” of circus performer based on her acquaintance with each model.   In part it was here conception of who fit what role that evoked and invoked the presence of the circus.  Each model and the models together (Kate had them remain on stage or in front of the stage but visible to the audience) embodied  these “types” of the circus. In this way she presented what endures through time or transcends time and place and particularity of the circus.    Her title then stated truly she was articulating what is enduring  and human about the circus, as well as do so in a way consistent with the archetypes of the Goth scene.   In other words “The Circus is Eternal” was a Goth liturgy of the circus.

The liturgies both of the ancient pagan world and of the Christian Church, were spectacles intended to draw people into a particular reality that transcended time and place and yet also would connect with the people and their archetypes.  These liturgies represented the eternal and transcendent types and realities, in ways also recognizable to a particular place and time, but not to articulate the values of the place and time, but to draw those in a particular place and time into something beyond a moment.  These spectacles initiate us into a transcendent moment and its archetypes, and it makes these moments and archetypes present for us.  Or it brings us into the presence of these things that are beyond and yet infuse our daily life.

“The Circus  is Eternal” did this as each model in Kate’s designs invoked and presented to us the various archetypes of the Circus: Janitor, Lion and Lion Tamer, Tightrope Walker, Fire Dancer, Ringmaster, and Dervish.   The show built as each model came out showcasing their garment and in keeping all the models on stage it created the fullness of the circus and its spectacle and controlled chaos as all the models joined in the Dervish’s dance.   We found ourselves in the presence of the Circus, without a circus being present, but its eternal moment its archetypes drew us into the reality and archetypes of the circus, as the music (archetypal yet industrial circus music) also drew us into the world of the circus through sound.  All the elements came together so that we were all, for 6 minutes, at the circus, through this fashion liturgy.

(You may find images here at Kate Setzer Kamphausen’s website.)